I start with very short pieces, usually no more than a handwritten page. I try to focus on something specific: a person, a moment, a place. I do what I ask my students to do when I teach creative writing. I explain to them that such fragments are the first steps to take before constructing a story. I think a writer should observe the real world before imagining a nonexistent one.
In order for the skillful players to have the space with which to work, somebody had to get the ball, and give it to them. The playmakers couldn’t be expected to do the running that was needed, the dirty work, the pressing. Every team had at least two players of this type, if not three.
Juventus of course, had whom many consider to be the greatest mediani of all – Beppe Furino.
Juventus specialized in mediani, and the greatest of all was Beppe Furino in the 1970s and 1980s. Little Furino, from Palermo in Sicily, ran himself into the ground in order to get the ball to a succession of playmakers such as Franco Causio, Liam Brady and Michel Platini. Yet Furino was not a one-dimensional player. Team-mate Marco Tardelli called him ‘the most tactically intelligent player I have ever seen. He was always close to the ball.’
A mediano doesn’t revel in personal glory. But their trophy cabinets are flush with silver.
The life of a mediano was thus a melancholic one. They were always destined to be the supporting act, straight men, water carriers. They could never be stars and would remain forever in the shadow of their more skillful colleagues. Furino won a record eight titles with Juventus in the 1970s and 1980s, but is rarely mentioned in accounts of those years.
Sheila’s original ambition was to become a playwright. She started writing stories after being kicked out/quitting theater school.
To master the writing process, Sheila would sit and write 6 or 7 stories in a row, as fast as she could type. Her thought was if she wrote hundreds of stories, then 20 or 30 would be good, exactly how they were written.
Sheila is all about lists.
She’d write down lists of titles of all the fables she could find. For the title of her first book, she wrote down hundres of titles to generate ideas.
She’d also sketch out book covers with the titles in them, to help visualize the finished book.
I have to work harder than any other writer in the world. I just wanted so badly to figure this out. To figure out how to write.
It’s structure, pages of prose intertwined with pages of comics, is a format I’ve never seen before.
Most of the comic’s layouts follow this 4 panel design. Illustrator Rick Ross‘s (No. Not that Rick Ross) draftsmanship scales this restraint, bringing the characters to life. The actions and emotions of the characters are believable, despite the limitations.