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amreading Art Design ideas Web

Robin Rendle’s Gorgeous Essay on Newsletters

I haven’t been surprised by the internet in a while. There’s all the common rants:

Social media sucks! Social media is the life changing wonder stick!

Substack sucks! Subtsack is majestical!

The 90s was the best decade ever! No! The 60s were utopia!

And all the other back-and-forth of opinions and wild fantasies that the internet harbors.

But then Robin Rendle‘s essay fell into my inbox – twice. (H.T. Austin Kleon and Alan Jacobs) His love note to newsletters and hope of a web for all, made for a bout of I’m finishing-this-damn-essay reading.

But it’s how he unleashed his essay, that shook my internet insides:

Using a combination of oldtimey illustrations, and funny, direct copy, he kills.

But it’s the scroll-and-read format of the essay which made it as memorable as the essay itself. I felt like I was slaloming through the piece rather than reading it.

Screenshots are weak.

Experience, read, view, contemplate, or disagree with Robin’s essay in it’s entirety below:

Categories
Art comics Commonplace Book Design Drawings Thinkers

Cartoonists and Copywork

Ivan Brunetti offers up the cartoonist’s version of copywork in his masterclass book – Cartooning: Philosophy and Practice

Homework Assignment 8 reads:

To the absolute best of your ability, create an exact replica of your favorite page. Do not trace. Any deviation from the original should be unintentional on you part; ineptitude and sloppiness are charmless when deliberate.

Cartooning: Philosophy and Practice, pg 60. Brunetti, Ivan

Brunetti then urges his students to pay close attention to each element of their comics page:

Pay close attention to what you are copying. Think about the artist’s decisions regarding page layout, panel compositions, design, characterization, dialogue, gesture, captions, balloons, word placement, sound effects, line, shape, texture, etc. Hopefully you will gain some appreciation of their working and thinking process… and the difficulty of creating a comics page.

Cartooning: Philosophy and Practice, pg 60. Brunetti, Ivan

Brunetti practiced this version of copywork in his own career.

He took on the Nancy strip for a time. The pressure from the syndicate to copy Ernie Bushmiller‘s style precisely, further developed his cartooning technique.

I can tell exactly the time period in my work when I was doing these-the syndicate were such nitpickers about me copying Bushmiller’s style exactly that my approach to cartooning got much more precise as a result. I went from doing strips just to amuse myself, without a grand plan, to focusing on formal aspects of cartooning much more: where to place a word balloon, the composition of every panel, and the flow of panels.

In the Studio: Visits with Contemporary Cartoonists, pg 279. Hignite, Tom

Brunetti enjoyed the project while in the learning phase, but admitted it was an unpleasant way to work:

When you’re copying someone else’s style exactly, you can theorize about it, and actually break it down into a set of rules. So they way I was working by imitating him had almost nothing to do with the way he was working…I also realized that working this way was totally unpleasant, because there are very strict parameters you have to follow, rather than discovering the rules that work. The project was fun while I was discovering all of the rules; I would notice that he would never put certain kind of marks next to one another because they’d look wrong. I became very aware of every penstroke, where he used a ruler, where it was freehand. He had an intuitive sense of what looked good, so for me it was trying to codify this into a set of rules, which made me realize the importance of the consistency of your cartooning vocabulary.

In the Studio: Visits with Contemporary Cartoonists, pg 279. Hignite, Tom

Could Brunetti’s copywork exercise translate into other disciplines as well?

If you’re an aspiring graphic designer you could recreate your favorite logos, stroke by stroke, in illustrator?

Or if you’re a programmer, instead of cutting and pasting, you typed out lines of code, line by line, character by character?

With thought and imagination, copywork exercises can be applied to every discipline.

Categories
amreading Design

Typeface Designer Doyald Young’s Personal Reading List

A person’s reading list is revealing.

But we tend to associate reading lists with authors, English professors, and self improvement podcasts.

So I was surprised when I came across typeface designer Doyald Young’s reading list, by both the number of titles and the content.

There was little in the way of design.

Young’s list of titles include classic literature, memoir, essay collections, and history tomes.

After learning about Young’s pre-design career life, the variety on his reading list comes as less of a surprise.

The life experiences collected as a former bellhop, usher, railroad breakman and junk car dismantler (technical term) must’ve contributed to his varied reading tastes.

Below are the titles that surprised me most. There isn’t an
algorithm here, only an instant reaction.

The descriptions below the titles are Doyald’s words.

One Hundred Years of Solitude—Gabriel Garcia Marquez 
Three generations in a Columbian village 

The Elements of Style—Prof. Strunk and E. B. White 
How to write clearly by two no-nonsense teachers.

Slow Days and Fast Company—Eve Babitz 
A wicked tale of Hollywood, Rolling Stone, and groupies

The Elements of Typographic Style—Robert Bringhurst 
A poet’s expert take on typography, beautifully designed. A classic, vital book.

Young’s reading list was posted in it’s entirety on his wonderful website.

Unfortunately it’s down at the moment.

The remainder of the list is below:

On Photography—Susan Sontag 
Thoughts on images by one of our finest thinkers 

The Proud Tower—Barbara Tuchman 
The events that led to WWI 

The Seven Sisters—Anthony Sampson 
History of the companies that developed the Middle East oil fields 

Growth of the Soil—Knut Hamsen 
A Nobel Prize winner’s take on injustice and farm life 

The Sun King—Nancy Mitford 
The History of Louis xiv, Versailles and lots of gossip 

Conquest of Mexico—William Prescott 
Cortez’s foray into Mexico; adventure, betrayal, wise kings and monks 

Language and Silence—George Steiner 
Artists who abandon their art. Heavy going. Enlightening.

Madame Bovary—Gustav Flaubert 
An elegant tale about vanity. An easy reading classic.

Collected Stories of Paul Bowles 
One of America’s finest short story writers. Penetrating. Bizarre, exotic.

Let it Come Down—Paul Bowles 
A tale of love and madness in the desert

Four Essays on Liberty—Isaiah Berlin 
Heavy going about liberty. Vital.

The Greek Way to Civilization—Edith Hamilton 
An introduction to art, history, culture and politics

Axle’s Castle—Edmund Wilson 
Literary criticism. American writers who fled to Paris after WW1

Stories of Three Decades—Thomas Mann 
Formal, classic stories of the human condition

Patterns in Nature—Peter S. Stevens 
A learned, insightful account of form and texture in nature. Vital.

From:

http://www.doyaldyoung.com/20-books-doyald-recommends/, Doyald Young

https://www.aiga.org/medalist-doyaldyoung/, Marian Bantjes

Categories
Design

The Origin of Teletype Monocase Font


Doyald Young invented Teletype Monocase font in 1965.

Teletype was a precursor to SMS messages. A digital method for sending text between phone lines.

But there was one problem.

Teletype couldn’t handle upper or lower case letters.

Doyald Young was brought into to solve this problem. He was tasked with creating a font that would appear set in lower-case, but not offend its recipients when their proper names weren’t capitalized.

The monocase font was never used.

It was quote:

“was hard to read and didn’t fool anybody,”

An engineer

Source: Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986, by Louise Sandhaus, Lorraine Wild, Denise Gonzales Crisp, pg.96