Man fears time, but time fears the pyramids.
Unknown author. The Architecture Book: Big Ideas Simply Explained. New York: DK Publishing, 2023. (see page 22)
More from the picture books are underrated file.
An online commonplace book
Hogsmeade looked like a Christmas card; the little thatched cottages and shops were all covered in a layer of crisp snow; there were holly wreaths on the doors and strings of enchanted candles hanging in the trees.
Rowling, J.K.. Harry Potter and the Prisoner of Azkaban.
Merry Christmas everyone. Thanks for reading.
Now learn about velocity; learn how the air makes things twist. Look it up! Learn it! Learn as much as you can, for learning is the very opposite of death! Wonderful!” Grandpa was the only person Vita knew who seemed to spark electricity when he talked, as if he struck against the world like flint against steel.
– Vita’s Grandpa
Rundell, Katherine. The Good Thieves. New York: Simon & Schuster Books for Young Readers, 2019 (see page 13)
Each Katherine Rundell book contains hidden bits of advice. As the new year approaches, remember, so much of learning is found in looking things up.
McPhee has built a career on…small detonations of knowledge. His mind is pure curiosity: It aspires to flow into every last corner of the world, especially the places most of us overlook…McPhee’s work is not melancholy, macabre, sad or defeatist. It is full of life. Learning, for him, is a way of loving the world, savoring it, before it’s gone. In the grand cosmology of John McPhee, all the earth’s facts touch one another-all its regions, creatures, and eras. It’s absences and presences. Fish, trucks, atoms, bears, whiskey, grass, rocks, lacrosse, weird prehistoric oysters, grandchildren and Pangea. Every part of time touches every other part of time.
– Sam Anderson
McPhee, John. The Patch. New York: Farrar, Straus and Giroux, 2018 (see back cover blurb, hardcover edition)
I wanted to capture this passage for the language: Words like macabre and detonations stoke the linguistic fires. And nudge me towards the dictionary.
But also, it’s a returning theme in this commonplace book – curiosity.
The people that fascinate me; the Thomas Jeffersons, the Paul Otlets, the Temple Grandins, the Benjamin Rushes, are eternally curious. And curious about an eternal amount of subjects.
Sam Anderson is spot on. Learning is a way to love and savor our world.
What draws us to the fictional characters? There’s so much really. How the character is introduced. How they speak. Their perfections. Their flaws.
In Rooftoppers, author Katherine Rundell introduces us to Charles Maxim. He is Sophie’s ward.
Charles is not a smiler. He is not a skipping and kicking your heels with joy type of man. He eats and sleeps little but is somehow not cranky. He is kind. He is generous. He is quotable.
Curiously, Katherine Rundell introduces Charles to us multiple times with different methods. The first intro is a third person introduction:
Charles ate little, and slept rarely, and he did not smile as often as other people. But he had kindness where other people had lungs, and politeness in his fingertips.
Rundell, Katherine. Rooftoppers. New York: Simon & Schuster Books for Young Readers, 2013, pg 11
Then through his character assessment file at the National Childcare Agency:
“C.P. Maxim is bookish, as one would expect of a scholar-also apparently generous, awkward, industrious. He is unusually tall, but doctors’ reports suggest he is otherwise healthy. He is stubbornly certain of his ability to care for a female ward.”
Rundell, Katherine. Rooftoppers. New York: Simon & Schuster Books for Young Readers, 2013, pg 8
Clever approach that. Reinforces who Charles Maxim is without boring us. Katherine Rundell doesn’t create balsa wood characters.
Ok, onto the quotes.
Aptly named, a Charles Maxim quote book should exist. Here’s a few to take home with you.
On parenting:
“I am sure the secrets of child care, dark and mysterious though they no doubt are, are not impenetrable.”
On books:
“Books crowbar the the world open for you.”
On eating ice cream:
“I have a theory” he said, “That the the best place to eat ice cream is in the rain on the outside box of a four-horse carriage.”
On the importance of umbrellas:
“I am an Englishman. I always have an umbrella. I would no more go out without my umbrella than I would leave the house without my small intestine.”
On life:
Never ignore a possible!
Pick up Rooftoppers from somewhere!
The trick is to maintain a kind of naive amazement at each instant of experience-but, as Montaigne learned, one of the best techniques for doing this is to write about everything. Simply describing an object on your table, or the view from your window, opens your eyes to how marvelous such ordinary things are.
How to Live, or A Life of Montaigne, In one question and twenty attempts at an answer. Sarah Bakewell. Chapter 2 Pay Attention, pg 37.
This could be a productive writing exercise. 200 words describing the closest object near you.
Go!
You have to stop thinking about anything other than what happened when you were a little kid, and you laid on the floor, and you drew. And you lost yourself in that drawing. And in the end, you absolutely loved that drawing because you made it yourself. And the drawing got hung up on the fridge regardless of how good it was, because your mom loves you and everybody loves you. Why can’t you be that kind to yourself?
Jeff Tweedy, How to Write One Song, pg 58
Jeff Tweedy‘s book, How to Write One Song, applies to anyone who makes things. Music is the medium he reflects on, but when you read the book, swap the word “song” with anything you make – paintings, birdhouses, stock cars, stained glass windows.
Anything.
The advice will still apply.

Ok. These aren’t exactly comic panels.
But the more I go through old books during this time spent at home, the more I discover “four panels” in other parts of literature.
Tolkien’s perspective and line variation are impressive. He incorporates straight lines, diagonal and curved lines, stipples, blacked out inks.
The man was non-stop.
An incredible way to start Friday. Tim and Tyler cover:
Do have a listen: