Those eyes were of the changing foam-streaked grey-green of leaping Northern seas; in the glass shone a hot ruby that seemed the very heart of the South, beating for him who had courage to respond to its pulsation. The twin lights, the shifting grey and the steadfast red, mastered the Water Rat and held him bound, fascinated, powerless. The quiet world outside their rays receded far away and ceased to be. And the talk, the wonderful talk flowed on – or was it a speech entirely, or did it pass at times into song – chanty of the sailors weighing the dripping anchor, sonorous hum of the shrouds in a tearing North-Easter, ballad of the fisherman hauling his nets at sundown against an apricot sky, chords of guitar and mandoline from gondola or caique?
Kenneth Grahame’s prose rakes. This is why, this is why, you shouldn’t dismiss the nudge for a second reading. You don’t know what jewels you left behind during your first read.
Grahame, Kenneth. The Wind in the Willows. United Kingdom, Welbeck Editions, 2021. p168,169