Mindless drawings fill
pages with rockets, monsters,
and bug eyed portraits.
Tag: drawing
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First seen in circulation February 52′
Could this strip be inspired from Schulz’s childhood? His father did own a barbershop in Minnesota.
Or taken from his own weekly visits to the barber?
The line Yes, sir, “It pays to look well” is subtle but real. I’ve never had my hair cut during the 1950’s, but that sounds like true old timey barber-speak to me.
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https://m.youtube.com/watch?v=iUSt6YCXMV0
You couldn’t look at Jason’s drawings and not be compelled to draw.
Two heartfelt tributes to an inspirational artist:
Draw whatever you want, by Austin Kleon
No One Looked at New York Like Jason Polan, by Jerry Saltz
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Overrated or underrated – independently published black and white comics?
UNDERRATED.
From: Teenage Mutant Ninja Turtles – Color Classics: Micro Series – Leonardo
By: Kevin Eastman, Peter Laird
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Graphite memories.
HB pencil, contour lines.
Loyal companion.
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Two horizontal panels, two vertical panels. In case you’re keeping track.
Long before Disney owned Marvel Comics and Star Wars, Marvel Comics Group held the publishing rights to Star Wars comics.
Then shit got weird – for Han Solo in particular.
In this expanded universe Han meets a space rabbit named Jaxxon, wields a light sabre, teams up with a man dressed up in a Chewbacca Halloween costume, and rescues a bald librarian Jedi wannabe named Don-Wan from an intergalactic dinosaur.
Like we said. Shit got weird.
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To release some of his jumpy energy and his mind’s ceaseless inventorying and inquisitiveness, Thurber drew. It was as habitual as his smoking. Writing-rewriting, as he often called it- required discipline, focus, research, an amped-up armature of full brain power that included memory, grammar, word and sentence sounds, a dialing in of the humorous of and the heartfelt, the meandering and the meaningful. But drawings? He considered his to be fluid, spontaneous, unhindered, and with rarely a need for erasure, revision, or polish. His daughter Rosemary remembers her father saying that he could even whistle while he drew.
A Mile and a Half of Lines: The Art of James Thurber, by Michael J. RosenIf you’re looking for some artistic inspiration, or need to smile, pick up A Mile and a Half of Lines. After skimming through five or ten pages you’ll be feening to pick up a pencil and draw.
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Mr. Q predicts the future.
A Four Panel Friday first – layouts instead of completed work. This from an unpublished Spirit story titled: The Cigar.
Important note – Klaus Nordling drew these layouts, not Will Eisner.
Good example of solid panel framing here. Nordling goes from a relative close up of Mr. Q, to framing him between the two henchman. Sweet stache’ on the driver too.
From: Will Eisner: Champion of the Graphic Novel
By: Paul Levitz
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Dream state
The late Joe Kubert was one of the finest comic book artists of his generation. He was also an underrated paleo-artist.
TOR – A Prehistoric Odyssey unleashes Joe’s paleo-chops. The panels are filled to the brim with not only Dinosaurs, but Sabre-tooth tigers, giant squids, prehistoric alligators, and yeti as well.
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Collabo
There’s plenty of how-to guides for making comics out there. Still, I can’t think of one as comprehensive as Scott McCloud‘s Making Comics.
Though first published in 2006, Making Comics: Storytelling Secrets of Comics, Manga, and Graphic Novels holds up. Even chapter 7, The Comics Professional, still shares sage advice to aspiring comic writers and artists alike.
Floodlights and Goalposts 