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amreading Commonplace Book Drawings interviews writer's inspiration

Gabriel García Márquez on how drawing led to writing.

INTERVIEWER

How did you start writing?

GARCÍA MÁRQUEZ

By drawing. By drawing cartoons. Before I could read or write I used to draw comics at school and at home. The funny thing is that I now realize that when I was in high school I had the reputation of being a writer, though I never in fact wrote anything. If there was a pamphlet to be written or a letter of petition, I was the one to do it because I was supposedly the writer. When I entered college I happened to have a very good literary background in general, considerably above the average of my friends. At the university in Bogotá, I started making new friends and acquaintances, who introduced me to contemporary writers. One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories. They are totally intellectual short stories because I was writing them on the basis of my literary experience and had not yet found the link between literature and life. The stories were published in the literary supplement of the newspaper El Espectador in Bogotá and they did have a certain success at the time—probably because nobody in Colombia was writing intellectual short stories. What was being written then was mostly about life in the countryside and social life. When I wrote my first short stories I was told they had Joycean influences.

Of course, Gabriel García Márquez’s writer’s origin story begins with drawing cartoons.

What is it about drawing that fuels other creative pursuits?

From: The Paris Review Issue 82, Winter 1981

Interview by: Peter Stone

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